July 2008

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Finally, I took a little time to do some updating to my website. There were some functionality issues I realized i needed to fix, such as adding previews and darkening the buttons once pressed. Also, I felt grouping of similar pieces would be helpful. It was also suggested that I add ‘next’ and ‘previous’ buttons, which honestly took a bit of figuring out for me with my limited abilities to think through actionscript. I also stumped myself with the frame details momentarily when I had code that worked when I thought it shouldn’t. Occasionally it takes me a minute to rumble the math.

Designwise, the site isn’t as different as I first set out to make it– same basic colors, icons, and menu. I wanted to add color and texture to the background. I had also set out to reposition the menu at top, add framing elements in the menu, and create individually different icons, but found that the original functioned much better. When I was first building the original site, I started with the clean adobe illustrator-style edges, but went for the sketched components that my sketchbook is replete with. After a brief consideration to adapt the cleaner mode, I’m feeling that there’s more unique as is for now.

Any information I could find about Flash 8 and preloaders indicate that it will only run the preloader once the entire movie is loaded, therefore skipping directly to the main movie and defeating the whole purpose. Rather than waste a lot of time trying to contrive a way to make it work, I cut it as an unimportant element. Eventually, I hope to get a grasp on actionscript 3 for a future revamp.

I’ve been checking out the Communication Arts Illustration Annual and discussing it friends and associates. As I was relating to a friend this evening, I’m particularly noticing techniques involving stylized realism. My buddy Brad was pointing out Jim Salvati as a point between impressionism and photorealism that he likes, and I agreed by noting the work of Greg Manchess. Although I have always enjoyed Tim O’Brien whose work I’d say is fairly photorealistic. In contrast to those, there’s more distorted styles in the narrative vein such as Jack Unruh and Jody Hewgill that I’ll notice in so many issues. There’s always so much to take in and I’ll likely notice new things for different reasons on another read.

This issue struck me as having more weight on narratives and broadly realistic approaches than I’ve seen in issues in recent years. I could be wrong, but there appeared to be a bit of a broader spectrum rather than a heavy focus on highly political editorials and plethora of naive styles that I often see in design periodicals. Sometimes it seems that there’s a bit too much focus on anger and politics, and while those themes need to be communicated, they aren’t the only things to convey.

I was also discussing with Brad some of the artists I was looking at in New York this last month. The J.C. Leyendecker show at the Society of Illustrators was definitely worth the time. There were a couple pieces there that called to mind some sketches of Dean Cornwell. Thinking of the way I sketch the figure, I’m probably drawn to the the deco-style adaptations. I like the way that Leyendecker streamlines organic shapes and how, even with paint, there’s a certain kind of cross-hatching.